Spray Painting Weight Plates

balances

Sometimes in the game you can not find that rhythm and that set of movements that instead finds himself in his own mental projections. Not you can let go as they would in a nutshell.
depends on the pace of the companion course, but above all by themselves.

If we are unable to adapt to the pace of the game, the balance is broken.
The music and the songs are more faint and distant, and the muscles do not move with reactivity. What needs to be
game becomes inertia.
As if you lose your balance, perhaps too bold a move, and you risk falling.
mate they might enjoy, even unwittingly, and then you have to get up. Quickly.

The hand rest on the ground and returns just in time to support the body, lowers his head to the side door and a soft circular motion, are feet again. Ginga now flows more freely and the music regains volume. The drums have low
the rhythm of my heart now.
Now I understand the rhythm and follow it.
fluid movements come and I'm closer to who's playing with me and kicked and fit perfectly: we have the same rhythm and the game becomes a wave that rises and falls and breaks into a near-perfect rhythm.
more daring jumps and movements, now I can afford, leaving me with no thoughts that can guide them, as a spray of water, and the distance between me and the partner is minimized, not just the physical distance, but the ' other, the one that leads the roda.

The pace then gets up, he can now do so, and the game gets hectic, intuition, absolute freedom, and two of us to hear.
I have no breath, nor do I need it: my body moves on its own, fast and responsive and the companion is with me.

This is basically the most important feature of capoeira, adaptability.
In case the game does not do my body sweat pearls, but look who plays with me and began to smile.
roda can now proceed.